
In the middle of the XIX century, there emerged the gauchesca literature initiated by Bartolomé Hidalgo, Hilario Ascasubi, Estanislao del Campo and symbolized by the masterpiece work known as “Martín Fierro”, where José Hernández brilliantly portrays the gaucho idiosyncracy and his national identity. This poem is regarded as the Argentine "Don Quixote".
Esteban Echeverría gained recognition as a writer with his poem entitled "La Cautiva", depicting the rural Pampeana plains region, as well as his realistic style tale known as "El matadero".
Well into the twentieth century, and considering that Argentina had come to have been adequately organized as a country, there emerged Bartolomé Mitré´s historic chronicles and the book "Facundo" written by Domingo Faustino Sarmiento, which involved an ideological manifesto put forward by the Unitarian party encouraging the creation of a strong and central government that might favour the waves of European immigration.
With the 80´s generation, a literary style displaying its typical characteristics started to gain momentum and Buenos Aires began to flourish among all the remainder provinces. Out of all the literary works written at that time, the lyric poetry by Almafuerte, and the first essays by José Manuel Estrada, Joaquín V. Gonzáles and Pedro Goyena are said to have excelled. In the narrative style Miguel Cané, Eugenio Cambaceres and Julián Martel, among others, stand as icons of this narrative literary genre.
At the threshold of the XX century, the Nicaraguan poet Rubén Darío became acknowledged as a powerful source of influence for the new aesthetics nuances characterizing the work by Leopoldo Lugones, currently standing as an undeniable icon of the Argentine poetry.
In the same breath, this very “simplistic” poetic style like those depicted by poets like Baldomero Fernández Moreno and Evaristo Carriego began to take hold. Horacio Quiroga and Roberto J. Payró have proved to have a more criollo type of style. As a matter of fact, Ricardo Güiraldes published his rural novel entitled "Don Segundo Sombra" where the gaucho standing as a legendary character definitely stands out.
Social story writers, who had been influenced by Russian literature, stepped into the world of literature at that time. The most oustanding artist epitomizing this style was Roberto Arlt, whose stories main characters were symbolized by the marginal life in cities. Juan Filloy began developing a long-lasting carreer as a writer and wrote over 30 pieces where he harshly criticized human customs by including a great deal of humor, parody and irony
Jorge Luis Borges, regarded as an Argentine literary figure of international stature, reached the acme of his popularity during the 40´s. So far, his works have been widely read and translated into different languages and he is currently regarded as one of the XX´s century most renowned literary expounders on an international level.
Furthermore, Ernesto Sábato published his first novel entitled "El túnel", and Leopoldo Marechal published his book “Adán Buenosayres", which is presently regarded as one of Argentina´s paramount literary works.